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May. 23, 2013 - Issue #918: Protest City

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Chernobyl Diaries

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Horror-tourism that uncreeps exactly as you'd expect, Chernobyl Diaries registers the crackling low point on the Geiger counter of Paranormal Activity creator Oren Peli's ideas. Shuttle off some utterly bland young Americans (plus a Norwegian blonde and bearded Australian) to see Pripyat, the long-abandoned town closest to Chernobyl, and let the scares begin ... only the scares are pretty much some feral animals and then, of course, once the dark arrives and people are stupid enough to enter cavernous buildings, the nuked ghouls come out to play murder-games.

Dialogue is banal, the camerawork's predictable, and any subtext's missing in all the action. The flick's irradiated with a general insensitivity to human tragedy. The place, though, is everything—the impassive concrete tenements and industrial scrubland of a corner of the former Soviet Union, this ghostly shell of industrial might, is deeply eerie on its own. If the camera had just silently strung us along for 90 minutes, drawing us through the nooks and crannies of one of the haunting graveyards of 20th-century technology, that would have been a hell of a lot more frightening than this cheap, barely scripted attempt at "tag, you're dead."

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Directed by Brad Parker
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Chernobyl Diaries

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